2025 has been a whirlwind for Mammoth, packed with bold moves and high-octane milestones. They shed the WVH tag from their moniker, then hit the road for a massive 28-city jaunt alongside Creed. Capping it off is their stellar new release, The End, which dropped like a mic at the perfect moment. This electrifying gig marked the second stop on their sprawling 24-city headlining trek, lighting up the stage in Orlando, FL, on November 7th at the House of Blues.
Return to Dust Kicks Off with Grunge-Fueled Fire
Opening the night was Return to Dust, unleashing a punchy 25-minute barrage of gritty anthems. Drumming duties fell to London Hudson—yes, the offspring of guitar legend Slash—while shredders Matty Bielawski and Sebastian Gonzalez traded riffs with bassist Graham Stanush. With a full-length album and a pair of EPs already in their discography, these guys channel the raw edge of Soundgarden and Alice in Chains, delivering sludge-rock vibes that had the early birds hooked from the first downbeat.
Myles Kennedy’s Solo Showcase: Guitar wizardry and Vocal Gold
Following suit was Myles Kennedy fronting his solo outfit, where his fretboard finesse stole the spotlight. His pipes remained a force of nature, mesmerizing fans with a blend of fresh cuts and timeless favorites that left the room buzzing.

Diving deep into his latest effort, “The Art Of Letting Go,” Kennedy rolled out six tracks, spotlighting the titular opener alongside crowd-pleasers like the introspective “Nothing More To Gain” and the blistering finale “Say What You Will.” He sprinkled in gems from The Ides Of March, including the driving “In Stride” and the anthemic “Get Along,” painting a vivid arc of his artistry.
Mammoth WVH Takes Command: Evolution in Full Swing
Drawing from his trio of records, Wolfgang Van Halen offered a masterclass in growth for a rising star. He’s curated a tight-knit crew of pros who crank the energy to eleven: guitar duo Frank Sidoris and Jon Jourdan, powerhouse drummer Garrett Whitlock, and steady bassist Ronnie Ficarro.

Every riff, hook, and harmony across Mammoth’s three albums springs from Van Halen’s own pen and strings—he’s not just a shredder but a vocal powerhouse to boot. Standouts like the poignant “Take A Bow,” the revelatory “Epiphany,” and the triumphant “Another Celebration at the End of the World” showcased his range. And let’s not forget “Distance,” the breakout smash that still ignites arenas, sparking the night’s wildest cheers.
The setlist showcased six fresh songs off of The End, with the Foo Fighters inspired “One of a Kind” launching the main event and “The End” sealing it as a fitting encore. Fans caught the world premiere of their newest banger, “Same Old Song,” plus four more heaters from the hot-off-the-press album—proof that Mammoth’s catalog is expanding with serious swagger.
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A Sold-Out Triumph: Van Halen’s Heartfelt Nod to Orlando Fans
Visibly floored by the packed house, Wolfgang announced that this show was the biggest headlining show Mammoth has ever performed! He paused repeatedly to express gratitude to the die-hards who packed the place, turning what could have been a routine show into a communal victory lap. And he gave a special shout out to the iconic music producer Elvis Baskette, who was in attendance at the show. Mammoth isn’t just riding momentum; they’re forging a legacy under Van Halen’s helm as a virtuoso singer, tunesmith, and all-around instrumental force carving his path on pure merit. Mammoth just released dates for another headlining tour in 2026 with 10 Years providing support. Check out the tour dates:

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